“BEARING THE MOST BEAUTIFUL FRUIT”

Qobuz reviews the Brahms Piano Quartets in Paris “The most passionate and assidious of amateur chamber music players will not remember having ever heard all three of these works by Brahms in the same evening … it requires the coming together of four...

“KNIFE-EDGED MUSICALITY” IN BRAHMS

Die Presse reviews Brahms’ Piano Quartets in Vienna “The Piano Quartet is a genre which falls between two chairs – trios for piano and strings are available in abundance, the rarer Quintets one hears often, because a string quartet only has to invite...

“DEEPLY HUMAN” BRAHMS

The Tiroler Tageszeitung reviews Brahms’s Quartets in Wattens, Austria “Thomas Lacher invited four artists of the first rank onto the stage: Leif Ove Andsnes on the piano, Christian Tetzlaff, violin, Tabea Zimmermann, Viola, and Clemens Hagen, cello....

ALLOWING THE MUSIC TO UNFOLD WITH “ELEGANCE AND POWER”

www.classicalsource.com reviews Leif Ove Andsnes’ second London performance in his LSO Artist Profile Series “As recipes go, the combination of the London Symphony Orchestra, Leif Ove Andsnes, London Symphony Chorus and Michael Tilson Thomas doesn’t get...

“CLASS ACT”

The Guardian reviews Leif Ove Andsnes’ first London performance in his LSO Artist Profile Series “Sometimes, if you want a job doing you have to do it yourself. This was the first of the Artist Portrait concerts the LSO is putting on in London for...

“A JOVIAL, TRIUMPHANT PERFORMANCE”

“thelatest.co.uk” reviews Leif Ove Andsens performance of Mozart Piano Concerto no. 20 at the Brighton Festival “Originally billed conductor Daniel Harding was sadly ill, but thankfully there were two highly capable replacements in store on the...